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There are smaller cults for other amps, of course — White-Knob Princetons, Blonde Bandmasters, Magnatones in their various guises and the odd assortment of amps built by Valco for Gretsch and the like — but even those seem to have a bit of a been there, done that about them these days. What Ampeg built here was a cathode-biased amp, with octal preamp tubes, powered by 6V6s, cranking out about 18 watts, generally tighter than comparable Fenders and edgier than typical Ampegs. The reverb is notably splashy, big without being particularly deep; the tremolo is more psychedelic than swampy.
Dating ampeg founder everett hull's unwillingness to date crate vintage amps. Results 1 - 48 of the golden era the amp delivers classic ampeg page. Levi39s jacket dating, and date.
Used in many Mesa-Boogie and Crate models in the channel switching circuit. See datasheet here. The ribbon cables used in those amps have ribbon cables with conductors set at 0.
Pair it with Ampeg's PF Series flip-top cabinets for the vintage styling and portability of Ampeg's iconic Portaflex originals. Dial in a wide range of authentic Ampeg tones with the 3-band tone stack and highly flexible Ultra-Hi and Ultra-Lo circuits. The Ampeg SVTHLF is the supreme speaker enclosure for the multi-string bass player seeking both superior power handling and true high-fidelity performance.
Nov 15, 1. Nov 15, I found this add for a vintage bass amp for sale, would it be worth messing with?
In the view of Ampeg main man Everett Hull, rock and roll was not a musical form to which his company desired to cater. Jazz, of course, and the piano and bass-playing Hull himself preferred, therefore, to cast his pearls before the princes of the jazz world — not the swine of rock and roll. There was one amp, however — and again, this is a Fischer-certified tip — that fell through the cracks.
This listing is for one head and one cabinet as shown on the left. It originally came with tubes, and is probably one of the first made after the change from tubes. The power cord has been replaced with a three-wire grounded cord.
InThe Ampeg Company, Inc. Conceived in by the late legend Jess Oliver aka that dude who first put reverb into a guitar ampthe B grew up alongside our modern music industry. Like a lot of the popular sewing machines at the time, the B stored inside of itself, as players moving from gig to gig only had to flip over the amp head to get moving.